Author Topic: Why can't movie production companies hire firearms advisors?  (Read 7450 times)

Monkeyleg

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Why can't movie production companies hire firearms advisors?
« on: August 26, 2010, 11:20:52 PM »
I know that the subject of guns and movies has been discussed a zillion times. I guess this makes a zillion + 1.

I was watching "Street Kings" tonight. In the opening scene, Ludlow (Keanu Reeves) wakes up, picks up his 1911 from under a blanket, inserts a loaded magazine, then does a press check that shows a round already in the chamber. Why remove the magazine when the gun is already cocked and locked?

"Goodfella's" was a movie with a pretty substantial budget. Yet they screwed up a few times. In the scene when Henry Hill wakes up to find his wife Karen sitting on top of him and pointing a S&W snubby at him. I've read on a  couple of websites that it's a blued gun that only looks like stainless because of the lighting, but I've played and replayed that scene several times. It's blued in one shot and stainless in the next.

Also in "Goodfellas" is the scene when Tommy goes to Stack's apartment to execute him with a suppressed 1911. When the shooting is repeated in slow motion, you hear the thunder of the .45 unsuppressed. Probably just for effect, but it's a little silly.

In the movie "Marathon Man," Dustin Hoffman is thinking back to the time he found his father dead on the floor from suicide, with a 1911 lying by his head. The hammer is down, meaning that the gun was either unloaded or didn't have a magazine in it (I'll have to watch the scene again to see if there's a mag in it).

How much would it cost to have someone who knows guns say, "hey, don't do that"?

RocketMan

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Re: Why can't movie production companies hire firearms advisors?
« Reply #1 on: August 26, 2010, 11:30:05 PM »
My wife hates it when I pick up on that stuff when we watch movies or TV together.  Any kind of gaffe, whether firearms related, something technical, an out of period prop, a continuity error, whatever it is. She says it's annoying when I point it out.
But those things just grab my attention and often detract from my enjoyment of the program.  It's a character flaw, I suppose.
Competent technical advisors are a good thing.  Producers and directors that actually listen to them are better.
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Phyphor

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Re: Why can't movie production companies hire firearms advisors?
« Reply #2 on: August 26, 2010, 11:53:29 PM »

In the movie "Marathon Man," Dustin Hoffman is thinking back to the time he found his father dead on the floor from suicide, with a 1911 lying by his head. The hammer is down, meaning that the gun was either unloaded or didn't have a magazine in it (I'll have to watch the scene again to see if there's a mag in it).

Wait, what?  Shouldn't the hammer still be back anyway?  After all, the gun is still going to cycle even sans magazine, it won't lock open but the hammer should still be cocked.




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Monkeyleg

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Re: Why can't movie production companies hire firearms advisors?
« Reply #3 on: August 26, 2010, 11:57:42 PM »
Quote
Wait, what?  Shouldn't the hammer still be back anyway?  After all, the gun is still going to cycle even sans magazine, it won't lock open but the hammer should still be cocked.

Duh! Yes. I remember thinking there were two possible explanations for the hammer not being back, but I'll be damned if I can remember the second. Maybe there isn't a second explanation (other than the father took the time to lower the hammer before he died to keep his son safe from a cocked gun).

Jim147

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Re: Why can't movie production companies hire firearms advisors?
« Reply #4 on: August 27, 2010, 12:00:43 AM »
I was banned from watching movies with the wife years ago.

Maybe hammer follow?

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Regolith

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Re: Why can't movie production companies hire firearms advisors?
« Reply #5 on: August 27, 2010, 12:11:04 AM »
I don't tend to catch those kinds of things the first time I watch a movie, unless they're really blatant (or the movie is just really dumb and has already shattered my suspension of disbelief).  The second time through I usually pick out a lot more of them.
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zahc

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Re: Why can't movie production companies hire firearms advisors?
« Reply #6 on: August 27, 2010, 07:09:27 AM »
Quote
How much would it cost to have someone who knows guns say, "hey, don't do that"?

Exactly; they spend milions of dollars making movies. What's the excuse?

I feel the same way about translation and grammar mistakes. Science researchers receive millions of dollars in research funds, but can't seem to find $5 to give to an American middle-schooler to check the very basic grammar of the resulting research paper.
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RaspberrySurprise

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Re: Why can't movie production companies hire firearms advisors?
« Reply #7 on: August 27, 2010, 08:10:42 AM »
The sad thing is that most of them probably DID have some sort of firearms adviser and they were either ignored for the sake of some directors ego or "artistic effect" or they just plain missed the goof.
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SADShooter

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Re: Why can't movie production companies hire firearms advisors?
« Reply #8 on: August 27, 2010, 09:04:49 AM »
Several ARMA colleagues went to audition as extras for a film involving swordplay. These are folks who study technique from historical texts. None were selected, because they couldn't bring themselves to execute the silly sword manipulations the audition stipulated. Either the director won't see anything but what is in their mind's eye, or they insist on catering the the perceived expectations of the audience.
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Re: Why can't movie production companies hire firearms advisors?
« Reply #9 on: August 27, 2010, 09:10:54 AM »
The sad thing is that most of them probably DID have some sort of firearms adviser and they were either ignored for the sake of some directors ego or "artistic effect" or they just plain missed the goof.

This. 
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StopTheGrays

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Re: Why can't movie production companies hire firearms advisors?
« Reply #10 on: August 27, 2010, 11:42:38 AM »
Biggest for me is when someone pops out the cylinder of a revolver and spins it and you hear a clicking sound. That and the sound of a hammer being chocked back when the the person on screen is preparing to shoot their Glock.

Does any image illustrate so neatly the wrongheadedness of the Obama administration than Americans scrambling in terror from Air Force One?
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Re: Why can't movie production companies hire firearms advisors?
« Reply #11 on: August 27, 2010, 12:30:43 PM »
My pet peeve is people involved in a gunfight - sometimes indoors or in a tunnel! - that take time to whisper to one another and plan strategy.

Sure . . . like anyone's going to hear a whisper after long strings of gunfire, grenades, etc. going off at arm's length with no ear protection.

The only movie that comes to mind where they did mention hearing problems after a gunfight was Blackhawk Down.
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Cromlech

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Re: Why can't movie production companies hire firearms advisors?
« Reply #12 on: August 27, 2010, 12:40:39 PM »


 =D
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Brad Johnson

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Re: Why can't movie production companies hire firearms advisors?
« Reply #13 on: August 27, 2010, 02:40:04 PM »
There was a Steven Segal movie (can't remember the name) where he was using Glock. When he pulled the trigger you could see the slide rack, once, each time he pulled the trigger.  What you heard with each trigger pull, though, was the distintive b-r-r-rappp of something firing off 3-5 rounds on full auto.

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Re: Why can't movie production companies hire firearms advisors?
« Reply #14 on: August 27, 2010, 02:52:58 PM »
Quote
What you heard with each trigger pull, though, was the distintive b-r-r-rappp of something firing off 3-5 rounds on full auto.

That's just the sound his pony tail makes when it shakes.

230RN

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Re: Why can't movie production companies hire firearms advisors?
« Reply #15 on: August 27, 2010, 03:29:12 PM »
1911 hammer down:  Pulled the trigger from a muscular spasm when the bullet hit?
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Re: Why can't movie production companies hire firearms advisors?
« Reply #16 on: August 27, 2010, 04:09:58 PM »
1911 hammer down:  Pulled the trigger from a muscular spasm when the bullet hit?

Must be one of those double action 1911's nobody buy Hollywood has ever heard of.

HankB

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Re: Why can't movie production companies hire firearms advisors?
« Reply #17 on: August 27, 2010, 04:22:41 PM »
That's just the sound his pony tail makes when it shakes.
Not the jiggle of his multiple chins?
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Re: Why can't movie production companies hire firearms advisors?
« Reply #18 on: August 27, 2010, 04:55:08 PM »
Must be one of those double action 1911's nobody buy Hollywood has ever heard of.
Para LDA....  :-*


BHD was a freaking fantastically great movie, but they even had gun foopahs in there.  During the scene where the saw gunners are being chased and trying to reestablish contact, you can clearly see blanks being fed into the gun.



The IMFDB site also says that while the Delta operator is defending the pilot, his 1911 jams and the subsequent muzzle flashes are CGI.

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Re: Why can't movie production companies hire firearms advisors?
« Reply #19 on: August 27, 2010, 05:21:37 PM »
If you know much of anything about Any Particular Subject, you will notice that the movies almost always get it wrong  ;/
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Re: Why can't movie production companies hire firearms advisors?
« Reply #20 on: August 27, 2010, 05:56:36 PM »
If you know much of anything about Any Particular Subject, you will notice that the movies almost always get it wrong  ;/

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Monkeyleg

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Re: Why can't movie production companies hire firearms advisors?
« Reply #21 on: August 27, 2010, 06:24:56 PM »
Quote
If you know much of anything about Any Particular Subject, you will notice that the movies almost always get it wrong.

Yep. One of the worst examples of that was in the Clint Eastwood move, "The Rookie." He and Charlie Sheen are in Eastwood's garage, and Sheen looks at what appears to be an old Harley.

"47 FLH," Sheen says.

Pretty amazing, considering that Harley didn't have an electric start until the 70's. The bike in the movie was a current production Heritage Softtail.


Cromlech

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Re: Why can't movie production companies hire firearms advisors?
« Reply #22 on: August 27, 2010, 06:37:35 PM »
During the scene where the saw gunners are being chased and trying to reestablish contact, you can clearly see blanks being fed into the gun.
Yeah, it's especially glaring with some movies when you watch Blu-Ray these days.

The overall visual and sound quality boost makes up for it though.  =D
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Monkeyleg

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Re: Why can't movie production companies hire firearms advisors?
« Reply #23 on: August 27, 2010, 06:49:32 PM »
Why can't we go back to the golden days of Hollywood when they used real bullets in the guns? At least more actors had a chance to get screen time, although it was often short. ;)

RocketMan

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Re: Why can't movie production companies hire firearms advisors?
« Reply #24 on: August 27, 2010, 07:19:05 PM »
If you know much of anything about Any Particular Subject, you will notice that the movies almost always get it wrong  ;/

Yeppers.  I've often wondered if technical advisors could be more of a generalist rather than a specialist, with a broad technical background and overall knowledge.  They would also have to be skilled researchers, able to quickly look up and verify things they don't have direct experience with.
« Last Edit: August 27, 2010, 07:24:38 PM by RocketMan »
If there really was intelligent life on other planets, we'd be sending them foreign aid.

Conservatives see George Orwell's "1984" as a cautionary tale.  Progressives view it as a "how to" manual.

My wife often says to me, "You are evil and must be destroyed." She may be right.

Liberals believe one should never let reason, logic and facts get in the way of a good emotional argument.